James Hardie colors: the full Statement palette, from lightest to darkest

The Statement Collection is the most common James Hardie line. Most dealers stock these 19 colors, and they are available in every main profile, including lap, wide lap, board and batten, vertical panel, and straight or staggered edge shingles. The list below is sorted by light reflectance, as this determines how a color actually appears on a large wall.

Statement Collection colors with codes

Reflectance values are approximate, based on published color data. Light colors reflect over 45% of light; dark colors reflect less than 18%.

Small swatches can be misleading. Boothbay Blue and Evening Blue often appear as gray-blues, and they look similar to Night Gray on shaded walls. Mountain Sage is roughly as dark as Timber Bark, though it is often perceived as a soft green. If you need matching paint for shutters, doors, or trim, the siding color to paint match table lists the closest Benjamin Moore and Sherwin-Williams codes for these colors.

Check with your local dealer before ordering, as availability varies by region.

The palette is larger than the one you were shown

Most people meet the Hardie palette through a dealer's display or a contractor's sample case, and both are curated down to whatever is stocked locally. The full picture is wider:

• Statement Collection is the core exterior range, 19 colors. Arctic White, Cobble Stone, Iron Gray, Boothbay Blue, Khaki Brown and the rest. This is what most projects get built from, and what most dealers stock.
• Dream Collection is far larger, several hundred colors. It exists precisely for the case where the core range does not have your color.
• Magnolia Home Collection and the TimberHue wood-look range cover more specific looks.

Availability is regional, and that is not a footnote. The same product line offers different colors in different parts of the country, so a color you find online may or may not be orderable where you are building. Confirm availability with your dealer before you fall in love with something.

Color and profile are two decisions, not one

The mistake worth avoiding is treating the profile as an afterthought. The same color reads differently depending on the geometry it lands on:

• Lap siding, the horizontal boards most people picture, breaks the wall into courses and adds a shadow line under each one. It is the safest choice on almost any house.
• Vertical panel, with or without battens, gives the modern farmhouse look and makes a wall feel taller. Often used on gables only, with lap on the main body.
• Shingle, used on gables, dormers or an entire cottage-scale elevation, adds texture that softens a color considerably.

Mixing two profiles in one color is one of the cheapest ways to make an elevation look designed rather than merely finished. A lap body with shingle gables, both in the same color, does more work than most two-color schemes.

Seeing it on your house instead of in your hand

Here is the part a sample board cannot do: show you the color across your whole elevation, next to your roof, at your proportions, with your windows and your landscaping in frame.

That is the comparison that decides things. In GetFacade you can upload photos of your house, apply a Hardie color and a profile family, and look at the result at house scale. Generate several and put them side by side; keep the ones that survive.

Two honest limits, because they matter:

We show color as a measurement, not as a published fact. No siding manufacturer publishes exact color values for its products, so any on-screen representation is an approximation, ours included. It is close enough to eliminate options and to compare candidates against each other. It is not close enough to skip a physical sample.

We do not promise exposure width. Profile family, whether the wall is horizontal lap, vertical or shingle, comes through reliably. The precise number of inches of exposed board per course does not, and we would rather say so than let you believe a rendering settles a spec that only the order sheet settles.

The part most visualizers leave out

Choosing the look is the enjoyable half. The other half is the one that stalls projects: what it costs, and what the crew is supposed to build.

A design in GetFacade carries an estimate for materials and labor in your region, so the aesthetic conversation and the budget conversation happen at the same time instead of six weeks apart. And when a design wins, you can generate a PDF plan with the renders, the materials behind the design and step-by-step notes, which turns "I want it to look like this" into something a contractor can actually quote.

That is the difference between a picture of your house in a new color and a decision you can act on.

A workflow that ends in a real order

1. Narrow by constraint first. Your roof and any stone or brick you are keeping rule out roughly half the palette before you start. See how to choose an exterior paint color for the undertone test.
2. Shortlist on your own photos. Three or four colors, on your actual elevation, at full scale.
3. Decide the profile alongside the color, including whether gables get a second geometry.
4. Work out the trim. Siding colors do not come in paint, so the trim, soffits and door are a separate decision. Siding colors matched to paint lists the closest Sherwin-Williams, Benjamin Moore and Behr chips for the Statement colors.
5. Order physical samples of the finalists and look at them on your own wall, in daylight and near dusk, from the street.
6. Confirm regional availability with your dealer before ordering.

Photo

Design

Frequently asked questions